Dr Who The Bells Of Saint John

‘Doctor Who’: 10 Things You May Not Know About ‘The Bells of Saint John’

The Doctor and Clara Oswald go on their first formal journey together in “The Bells of Saint John.” It may surprise you to learn that this is true. It may be her third appearance on screen, but as far as her effect on the Doctor’s life and her adventures in the TARDIS are concerned, this is the episode in which her narrative really begins. There are numerous strands that have been dropped in this episode that will stay unpicked for quite some time, which is appropriate given that the plot just begins halfway through.

What is the identity of the woman who provided her with the TARDIS phone number?

Did she really believe that?

While writing the script, Steven Moffat wanted to take elements of Daniel Craig’s James Bond films and the Jason Bourne films and use them to tell a Doctor Who-style story.

  1. He expressed his curiosity in Doctor Who Magazine, saying, “It would be a major disaster if someone managed to infiltrate the Wi-Fi network, which is something that is pervasive in your life yet ominous.
  2. Clement’s”), but it also makes reference to the telephone in the door of the TARDIS, which also has the logo of the St.
  3. As a result of a lack of international agreement on how best to shorten the word saint — British grammar does not require a period, thus “St.
  4. John,” but American grammar does — the term was used in its entirety.
  5. This concept persisted right up until the final draft of The Rings of Akhaten’s ending, so that the leaf might represent Clara’s whole existence, rather than just her desire to travel, as the story progressed.
  6. Earl’s Court was a source of shame for everyone involved “He’s referring to the real police box, which is located next to the entrance to Earl’s Court tube station in central London.
  7. The narrative was initially going to be named One Deadly Summer, but that didn’t work out.

The very first scene for this episode was filmed, however it was never utilized.

In order to reflect Doctor Who’s growing international appeal, the footage was intercut with scenes of Paris, London, San Francisco, and Tokyo.

After Clara was assaulted by the Spoonhead, the Doctor was summoned to the TARDIS phone for a second time, with a whispering female voice calling out to him, asking, “Doctor, please come to the TARDIS phone again.” “Run, you astute young man.

Clara makes extensive use of the wonderful British slang phrase snog, which literally translates as a kiss, in her ridiculing of the Doctor’s many requests to accompany him in the TARDIS.

It was a conscious decision to have the Doctor ride his gravity bike up the Shard in order to keep the plot in the present.

In order to create your own terrifying Wifi name, you must first accomplish one of the following: “The Rings of Akhaten” is a fantasy novel. After that, go back and read the complete archive of “10 Things You May Not Know About Doctor Who.”

BBC One – Doctor Who, Series 7, The Bells of Saint John

The Doctor and Clara Oswald go on their first official journey together in “The Bells of Saint John.” It may surprise you to learn that this is actually true! Despite the fact that this is just her third appearance on screen, here is where her journey begins in terms of her effect on The Doctor’s life and her adventures in the TARDIS. There are certain strands that have been dropped in this episode that will not be picked up for quite some time, which is appropriate given that the plot just begins halfway through.

The woman who provided her with the TARDIS phone number has not been identified.

In the next time you watch, here are a few things to keep a look out for: ( On both iTunes and Amazon, you may find the episode.) In the wake of “The Snowmen,” this is the second Doctor Who episode in a succession (after “The Daleks”) to be filmed with a specified precursor.

In this case, the Doctor is wearing his trademark tweed jacket (for the final time) and trying to figure out how to find Clara Oswald the best way he possibly could: He expressed an interest in Doctor Who Magazine, saying, “It would be a major disaster if somebody managed to infiltrate the Wi-Fi network, which is something that is ubiquitous in your life.

  1. Clement’s”), the narrative also includes a reference to a telephone in the TARDIS door, which also has the emblem of the St.
  2. As a result of a lack of international agreement on how best to shorten the term saint — British grammar does not require a period, thus “St.
  3. John,” but American grammar does — it was used in its entirety.
  4. As the last chapter of The Rings of Akhaten was being written, this concept remained in Clara’s head, so that the leaf might represent her entire existence, rather than simply her desire to travel.
  5. Earl’s Court was a source of embarrassment for the British “His reference is to the genuine police box that is located adjacent to the entrance of Earl’s Court underground station.
  6. Artie is seen reading the novel Summer Falls, authored by Amelia Williams, which adds to Amy Pond’s long list of professional accomplishments.
  7. In an ebook format, James Goss published a version of the story written by him.

It was initially recorded at Roath Lock Studios in Cardiff, with the actor Fady Elsayed portraying Nabile in the video alerting people of the hazards of wireless Internet access.

As a result, the clip had to be reshot at the BBC Television Centre, this time with Manpreet Bachu reprising her role as Nabile.

As well as saving her life.” Afterwards, the voice telling him to trust Clara and bring her along was modified, and eventually the voice was completely removed.

It is referred to as a “snogging booth,” which is a reference to a carnival kiosk where kisses are (harmlessly) exchanged for money, as well as a “snog box,” which is not actually a thing.

It was a major media talking point while Moffat was writing the screenplay in 2012, and it was officially opened to the public on February 1st, 2013, just two months before this episode was shown.

In order to create your own terrifying Wifi name, you must first complete one of the following things: “The Rings of Akhaten” is a fantasy novel series set in the Middle East. Continue reading through the complete archive of 10 Things You May Not Know About Doctor Who.

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Role Contributor
The Doctor Matt Smith
Clara Jenna Coleman
Nabile Manpreet Bachu
Paul Sean Knopp
The Abbott James Greene
Angie Eve de Leon Allen
Artie Kassius Carey Johnson
George Geff Francis
Miss Kizlet Celia Imrie
Mahler Robert Whitelock
Alexei Dan Li
Little Girl Daniella Eames
Pilot Antony Edridge
Barista Fred Pearson
Waitress Jade Anouka
Newsreader Olivia Hill
Man with Chips Matthew Earley
Child Reading Comic Isabella Blake-Thomas
The Great Intelligence Richard E. Grant
Actor Karen Gillan
Director Colm McCarthy
Writer Steven Moffat
Producer Denise Paul
Series Producer Marcus Wilson

Doctor Who: Series 7

  • Time-traveling adventures with the hero who can travel across time and space

Doctor Who: The Bells of Saint John – series 33, episode six

This weekly blog is intended for individuals who have been following the new series of Doctor Who. SPOILER ALERT: If you haven’t seen episode six – The Bells of Saint John – then don’t read any further. Keep up with Dan Martin’sChristmas specialandepisode fiveblogs by following the links below.

‘This whole world is swimming in Wi-Fi, we’re living in a Wi-Fi soup. Suppose something got inside it …’

To get things started, let me share a little tale. A great view of the Shard can be had from the building where I spend around half of my working week. As a result, when the Shard debuted last summer, with its amazing laser display, I was there with a colleague to witness it. “Do you think it’s possible that it’s a Dalek ship?” he said in hushed tones. Considering that a 306-metre phallus spewing lasers across the London skyline seems like something out of Doctor Who, I was delighted to discover that the city’s new monument has been included into the new era’s first “urban thriller.” But after that exhilarating moment when the Doctor rides an anti-gravity motorbike up the thing, it’s a touch depressing to discover it exposed as merely an office complex after all.

  1. The episode The Bells of Saint John is characterised by a series of little disappointments.
  2. This production of The Bells of Saint John makes a substantial meal out of its iconic London locales – and some of them, such as the sequence aboard the fatal flight, are very great!
  3. Another aspect of the difficulty is that so much of it feels quite familiar.
  4. While the concept of killer Wi-Fi is intriguing, the implementation feels a little too much like the output of a Random Monster Generator to be taken seriously.

‘Does this really work? You just snap your fingers and people run off in your snogbox?’

But I’m being severe because I care about the situation. The Bells of Saint John are no more unique than any other curtain raiser from the RTD period, and the main purpose of this episode is to properly introduce Clara to the audience. Fortunately, the connection between Matt Smith and Jenna-Louise Coleman is already palpable onscreen. In the form of her storybook (she went on to become a successful writer), Amy receives recognition, but there is no risk of a Pond-shaped hole in the series. Concerns about Clara being fatigued as a result of her several introductions were proven to be baseless as time went on.

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Their fast banter has a genuine feeling of movement to it, and both leads are excellent at selling it.

Seeing how well the Doctor protected Clara outside her bedroom window was touching, and Clara may have been fascinated by the end, but she hasn’t been convinced enough to accept his invitation to accompany him yet.

Fear factor

Although the show has a strangely luddite goal for a science fiction show, there is something unnerving about how interconnected we have all become. In spite of Steven Moffat’s well-documented cynicism about Twitter (he resigned after a brief flirtation, thinking it to be both an unnecessary diversion and a source of harassment), this whole concept puts a great modern-day spin on the traditional robot-uprising scenario. There aren’t many traditional horrors in this film, but you can’t go wrong with Celia Imrie’s wonderfully vicious performance as the lead.

Mysteries and questions

So, let’s talk about Clara Oswald’s possible involvement. What or who is she, exactly? Even if we can’t completely rule out the notion that she’s some sort of robot or replica, Moffat’s writing style is far more lyrical than that. Perhaps there is something to be found in Clara’s various vocations over time and space, ranging from childcare worker to badass computer hacker; is she intended to represent something in terms of female liberation, or is she just being silly? What was the name of the woman in the shop who gave Clara the phone number for the Tardis?

Time-space debris

The roof terrace of the Grange St Paul’s Hotel served as the location for the cafe scenes. It was originally planned to take place near Covent Garden, but the crew discovered a better site with a better view of the Shard. He claims he does not want to take the Tardis into war, but when has that ever prevented him from doing so in the past? “Imagine it, human souls trapped like flies in the world wide web, imprisoned for all time, clinging to each other and begging for rescue.” “Doesn’t that sound a lot like Twitter?” Moffat, you’ve done a fantastic job there.

In this episode, the ringing of the St John Ambulance phone on the Tardis serves no purpose other than to serve as a background sound effect, and it has nothing to do with the story.

It’s starting to feel a little stale.

Next week

Spoiler alert: Clara chooses to accompany the Doctor on his journey, and her first encounter with an alien world will take place next week in The Rings Of Ahkaten, written by Luther author Neil Cross. a Quick Reference Guide

Doctor Who: all our episode-by-episode recaps

This review contains spoilers for the film. Our spoiler-free review may be found here. 7.7 The St. John’s Bells are a set of bells that ring out in the morning. So, how about we get started with the questions? Clara’s sixteenth and twenty-third years are not to be found in her book. Is there any significance to their absence? Also, what exactly is The Great Intelligence up to these days? Who else made a peculiar squealing sound of delight when Richard E Grant returned on the scene? And, please, may we have more Celia Imrie in Doctor Who in the near future?

  1. It builds on the wonderful Christmas special, but it also stands on its own as a brilliant, rational, and entertaining solo plot, with just enough leftover bits and pieces to tie it into Whopast and Whopresent.
  2. It definitely had that feel to it, thanks to a recorded video message and various visuals emerging on the screen, but just as we were getting comfortable with it, Steven Moffat jerked us back to the year 1207.
  3. To begin with, it will be used to make a joke later in the program regarding the time.
  4. And thirdly, although it was not actually touched on for too much of the episode, it would be nice to add a bit more to Clara’s mythology.
  5. It is unclear why she is sending this message, but it is believed to be her final communication.
  6. It’s never at the forefront, but it’s always simmering away in the background.
  7. Clara and the Doctor are reunited thanks to a humorous technical support call (as well as a very lengthy phone cable), with the former completely unaware that the man she is gazing at is the man who was responsible for her death.

Despite the fact that she is reprising her part as Clara, Jenna-Louise Coleman fits into her role as if she has been working on the show for years, and the effortless connection she shares with Matt Smith, where both are giving it their all, lends a delightful heart to the episode.

And definitely not snogging.

This is an exceptionally well-written narrative in and of itself.

Moffat, however, opts for wi-fi networking instead, weaving it into a thriller set in and around London (with a sprinkling of The Idiot’s Lantern thrown in for good measure).

As it becomes evident that Celia Imrie – God bless her – is, on behalf of someone else, behind some plan that uploads individuals to a cloud computing storage system, gathering their souls together, he builds up his confidence in a remarkable way.

As it turns out, Imrie is working for a higher power (and by the end of the episode, it appears that she has been working for him for quite some time – what other established characters are also under his control?

It appears as though the major underlying adversary for the forthcoming episodes has been revealed, however it is possible that the rug will be pulled out from under them.

It didn’t do much damage to Sherlock.

Granted, they have a certain air of Moffat’sSilence In The Library about them, but the fact that they are also walking wi-fi base stations fits in nicely.

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In every scene, whether he’s filming an action sequence as the Doctor rides his bike up The Shard or putting together the smart comedic sequences, he and Coleman both fit in very well with the Who cast.

He also appears to possess magical abilities, as it is not pouring down rain on the day he shot the sequence.

Smith is also excellent.

It has continued to astound me how much money can be wrung out of a little operating budget.

In contrast, The Bells of St John appears to be an almost perfect fit for the film’s running duration of 90 minutes.

Perhaps, when the Doctor and Clara have finished their coffee and Clara’s fingers have done an impersonation of Data from Star Trek, the momentum will start to sag a little bit more.

We would have liked to have seen more of Celia Imrie, though.

This is one of the most plain fun and roundedDoctor Whostories in a long time, and a serious candidate for the best episode of series 7 so far, probably with the exception ofThe Snowmen.

In addition to sentient computers, communication problems and Jammie Dodgers, we’ve seen a variety of other things in the past.

Doctor Who, on the other hand, is exceptionally adept at making the most of them, and it is in particularly fine form now. This was a great return for the series, and it was also a lot of fun to watch.

Doctor Who “The Bells of Saint John”

” The Snowmen ” was the previous episode in the Doctor Who season 7 episode 6 series. ” The Rings of Akhaten ” is the next chapter. The Doctor Who episode “The Bells of Saint John” was filmed in the United Kingdom, namely in London and Dublin.

MOD St Athanas Crashing Airplane

Leaving the TARDIS, Clara and the Doctor crash-land in a crashed airliner, which the Doctor manages to save. The film was shot on a Boeing 737 that was based at the airfield.

Southerndown Beachas Cumbria, 1207

The Doctor is now residing at a monastery as he awaits further information on Clara.

Grange St. Paul’s Hotelas Rooftop Cafe

Clara and the Doctor have milkshakes while conducting investigation into the individuals who are snatching people’s brains.

Shoreline by Jubilee Gardensas TARDIS on Shore

Clara and the Doctor emerge from the TARDIS on the waterfront after disembarking from the plane and pretend it is a magic show to fool everyone.

Waterloo Bridgeas Waterloo Bridge

After riding across the bridge and inside the Great Intelligence’s facility, the spoon Doctor returns to his station.

St. Thomas Streetas Base of The Shard

Before mounting The Shard, the Doctor takes a break to speak with someone who is under the power of Miss Kizlet.

The Shardas The Shard

It takes the Doctor many minutes to ride his motorbike up the side of the Shard and into the Great Intelligence stronghold.

Caerphilly Castleas Cumbria Monastery

In the TARDIS, a monk approaches the Doctor and informs him that the phone is ringing.

30 Beatty Avenueas Kids’ House

While Clara is nannying for a few children, she contacts technical support, who connects her to the Doctor.

Doctor Who: The Bells of Saint John ★★★★

Episode 6 of Series 7 of Story 232 “We’re stuck in a wi-fi soup,” says the author. Consider the possibility that something got into it. Think about it: what if there was something living in the wi-fi that was harvesting human minds?” says the Doctor Storyline Doctor John Watson is in seclusion at a monastery near Carlisle in Cumbria 1207, contemplating “the woman thrice dead,” when his police box receives a phone call. Clara believes she is on the phone with a hotline to resolve her wi-fi issues in present-day London.

Miss Kizlet is the leader of a diabolical organization that uses robotic servers, known as swiveling Spoonheads, to upload people’s souls on the internet for all to see.

The Great Intelligence has returned, and it is feasting on the minds that have been uploaded.

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Located on Beatty Avenue in Roath, Cardiff; the MOD St Athan in Barry; Southerndown Beach in Dunraven Park; the Welsh National Assembly Building in Cardiff; and the BBC Roath Lock Studios in Cardiff At the Grange St Paul’s Hotel, Westminster Bridge, Horse Guards Parade, Waterloo Bridge, Queen’s Walk, and the Shard, among other locations in the capital.

  • Cast Matt Smith plays the Doctor.
  • Miss Kizlet is played by Celia Imrie.
  • Alexei – Dan Li (Alexei – Dan Li) Manpreet Bachu performs Nabile.
  • The Abbott is played by James Greene.
  • Carey Johnson is a young woman who has a lot of potential.
  • Danielle Eames is a little girl that lives in the United States.
  • Olivia Hill works as a newsreader.

Matthew Earley is a man in possession of a bag of chips.

Richard E Grant, author of The Great Intelligence Crew Steven Moffat is the author of this piece.

Denise Paul is the producer.

Murray Gold is the composer of the music.

Steven Moffat and Caroline Skinner serve as executive producers.

So, what is Clara’s great secret, you might ask?

He seemed to feel obligated to confound us with mysterious ladies such as River, Amy, and Clara.

Who knows what her mystery is, but it’s certainly causing consternation among the Doctor’s colleagues.

The bells of Saint John pierce through his reverie and disrupt his thoughts.

The only other occasion that phone rang, I believe, was in Moffat’s debut episode, The Empty Child, which aired in the fall of 2005.

I’m curious as to who “the woman in the shop” was who declared it to be “the finest hotline in the world.” Is it just me, or does River Song immediately come to mind?

Amy Pond) that has been in her possession for over a decade?

The Time Lord is fannying about in a 13th-century monastery, but there’s little time to consider why.

Which, I must admit, I quite like: it’s stylish, quasi-Edwardian, and reminiscent of previous Doctors, which I find appealing.

It is Steven Moffat at his most confident and mischievous best in The Bells of Saint John, which is a tremendously enjoyable episode that revels in its contemporary London setting.

Colm McCarthy, who is directing his debut Who episode, does an excellent job of balancing the fast-paced action with the calmer interludes.

The connection between Jenna-Louise Coleman and Matt Smith, on the other hand, is extremely significant.

Coleman is a natural: he is friendly, empathetic, and courageous, and he is bound to become one of the most beloved companions on the show.

Miss Kizlet, played by Celia Imrie, is a vicious woman who is amusingly cold.

After Moffat painstakingly re-established the 1960s opponent at Christmas in The Snowmen, I completely expected a rematch at some point, but not in the very following adventure.

It was put towards the end of the cast list that “The Great Intelligence – Richard E Grant” was going to appear, but RT opted to keep it a secret to keep the surprise for our viewers.

He’s taken over for Ian McKellen (who played the voice of the Intelligence in The Snowmen), and he’ll be back for another scary encounter later on in the season, as well.

Doctor Who Post-Game: The Bells of Saint John

The Doctor has returned to save the day! With an episode that demonstrated many of the characteristics that makeDoctor Who so entertaining, the iconic British series returned in style Friday night after three months of thumb-twiddling. While the Doctor was finally getting out of his post-Ponds malaise, he was joined by his brilliant and endearing new companion Clara (Jenna-Louise Coleman), as they battled against mobile robotic internet platforms that can download your brain out of your body.

  2. only for her to die and the Doctor to understand that this Clara looked to be the same girl he had seen as an unknowing Dalek in the season premiere, ” Asylum of the Daleks,” and that it was impossible that she was the same girl.
  3. Then, as the bells of Saint John begin to sound, everything shifts dramatically.
  4. Obviously, as the Doctor points out, it shouldn’t be conceivable, and the following thing shouldn’t be either.
  5. She is shocked when the Doctor comes up on her doorstep in the present, and she immediately dismisses him as insane.
  6. You see, there’s something living in the wifi network, and it’s both controlling individuals and downloading their thoughts completely out of their bodies at the same time.
  7. “The Bells of Saint John” is a really enjoyable Whoromp, and it represents a substantial improvement over the wheel-spinning of the season’s initial batch of episodes.

And now that the Doctor has returned, he is in terrific form, rescuing the day with his trademark combination of steely resolve, devil-may-care impulsiveness, and pure good fortune.

Doctor Whomagic may be created when Moffat is behind the keyboard and working at maximum capacity, resulting in instant masterpieces such as “The Girl in the Fireplace” and “Blink,” among many others.

In addition to his ability to conjure up the type of fantastical, insane concepts that you’d expect from a show about an immortal maniac who travels across time and space in a blue police box, Moffat also has a strong sense of humor.

Talking about the new companion, she made an excellent first impression in her first two incarnations, and she continues to demonstrate that she has all the makings of a classic Whocompanion in this episode.

Towards the end of the episode, the Doctor offers her his standard “come with me, all of time and space awaits” pitch, which makes her even more enticing.

Not fully, mind you, but she does tell him to come back the next day, a reaction that absolutely throws the time lord off guard.

It is likely that there are multiple clues to the mystery of Clara, but it is impossible to predict which ones would be crucial at this point in the story.

Will it function as some sort of season-long Easter egg, similar to “Bad Wolf” from the show’s first contemporary season, or will it be something else entirely?

It’s also fascinating to note that, yet again, the Doctor does not locate Clara; rather, she locates him, even if she does not plan to do so.

One of the most often asked questions of the season is, “Why?” “The Bells of Saint John” is a pure joy to see, and it’s frequently funny as well.

It also highlights the Doctor’s great paradox, who can be a ludicrous, screwball bundle of energy in one moment and then a quietly strong and frightening presence when the situation calls for it in the next.

After rescuing Clara, he delivers a message to the criminals, telling them that they are “under my protection.” A nod to the famous “Is this world protected?” statement by the Eleventh Doctor from “The Eleventh Hour,” and it neatly emphasizes that the Doctor isn’t informing the evil people that Clara alone is under his protection, but rather that the entire planet is under his protection as well.

And then there’s the conversation. In fact, this episode contained more iconic lines than the entire first half of the season put together! Here are a handful of my favorites, taken out of context:

  • It’s a very accurate description, which is why I chose it!” “I came across a quadrocyke that had been dismantled. “I came up with the idea for the quadrocyke!” “The abattoir does not represent a contradiction. Burger King is the only company that loves cattle more than anybody else.” “Did you even know what the phrase antigrav meant?” “You never run out of patience with the ones you care about.” “I wish I could be more like them.” This is NOT a snog-box!” says the author.

Overall, “The Bells of Saint John” was a welcome return to form for Doctor Who, and it served as a solid prelude to what looks to be an extremely exciting remainder of the season. Let’s hope Moffat and his writers can keep up the good work.

Doctor Who: The Bells of Saint John

Series 7 Episode 2, Number 1 of 8: The Doctor’s hunt for Clara takes him to London, where he discovers that something lethal is lurking in the Wi-Fi network. THE FIRST BROADCAST WAS ON MARCH 30, 2013. So here we are, the start of a new season, and a new Companion is ready to climb into the TARDIS with the Doctor. I already provided an introduction to Doctor Who, and this post marks the beginning of my continuous series of evaluations of newly released episodes. I’m going to catch up on the first few episodes that have already shown, and we’ll be back on schedule with new episodes and reviews every week after that.

  1. The episode The Bells of Saint John marks the beginning of a new era of the show, in which the Doctor comes face to face with the strange girl Clara once more (Jenna-Louise Coleman).
  2. The Snowmen, in their third “incarnation,” are presented to us in this season’s premiere episode.
  3. It is revealed in this new episode that the Doctor has tracked down Clara in contemporary London, where a nefarious power is utilizing WiFi to target and grab people’s consciousnesses in order to establish some sort of processing datacloud (for reasons unknown).
  4. In this episode, Steven Moffat (showrunner and writer of the episode) has once again taken something that we take for granted (in this case, WiFi) and transformed it into something to be feared.
  5. Moffat has been criticized for making the narratives too difficult for younger audiences, but he has responded by stating that he does not believe youngsters want to be patronized in this way.
  6. The latest iteration has, without a doubt, greater complexity and continuous narratives than any previous iteration.
  7. You can easily follow the plot, but if you dig a little further, you will find subtle and brilliant details that can truly give depth to the tale.

The opening sequence of this episode depicts and discusses death in a direct and unflinching manner, which I found a little surprising.

Because it is a time machine, you will never have to wait for breakfast again.

She is an excellent addition, and the sequences in which she manages her staff through teaching or ‘hacks’ them by manipulating their paranoia, IQ, or compliance are fascinating to watch and some of the best in the series.

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Even when the two actors are communicating through a remote-controlled person (in a cafe, for example), the filmmaker uses intercutting to seamlessly switch between the two characters on screen.

When they eventually meet face to face, the episode does not disappoint.

With a new companion on board, the Doctor and Clara’s relationship has risen to the top of the priority list once again.

Hopefully, this will improve in the future.

The delivery of “I invented the quadracycle” in hushed marvelous tones is certain to bring a great grin to the face of any Whovian who hears it.

Steven Moffat stated that the episode was inspired by the current James Bond film Skyfall, and it is clear that this was the case in this episode.

Although time is taken for a coffee break, the usage of St.

The “scaling of the Shard” achieved by the use of an antigrav is particularly stunning as well.

.so it comes out that The Great Intelligence, played this time by Richard E Grant (Withnail and I, Gosford Park), has returned from the Christmas special and is behind this WiFi/datacloud operation, which is the major surprise of the show.

This is not a new adversary for the Doctor, who has previously faced off against it during his second incarnation (The Abominable Snowmen).

His return with Clara in that episode, as well as this, may be interpreted as an indication of a romantic involvement between the two.

A possible plot flaw or criticism I have is that the last time the Doctor encountered a mysterious girl under unusual circumstances (Amy Pond) and took her on as a companion, it turned out to be an elaborate plot by a group of Aliens who had previously thwarted the Doctor (Daleks, Cybermen, Sontarans, Autons, and so on) to capture and trap him within the Pandorica where he could do no more harm to them (The Pandorica Opens).

  • Why isn’t he more careful of Clara now that this has happened?
  • It appears that the Doctor’s former companions have continued to have an impact on him.
  • With the recent announcement that Billie Piper (Rose) and the Tenth Doctor (David Tennant) will be returning for the 50th Anniversary special later this year, there is reason to be excited about the show’s future.
  • Steven Moffat is simply too astute not to have everything piled down and ready to build up to anything by the time the season premieres.
  • Excellent performances all around, as well as a really entertaining and action-packed episode.

It was laced with enough indications to suggest that Moffat may have come up with another exciting story arc for the season, and I, for one, am looking forward to seeing what he has in store for us this time around.

The Bells Of Saint John

New Series Episode 100: The Bells Of SaintJohnAll over the world, people are being found dead, slumped next to their computers. What no one realises is that the victims’ minds are being harvested, uploaded through an insidious new wi-fi network run by Miss Kizlet on behalf of a mysterious client. Using mobile robotic servers called Spoonheads, Miss Kizlet’s reach extends virtually everywhere – and to almost everyone. Her latest victim is a young nanny named Clara Oswald. But, fortunately, Clara is the same woman the Doctor has already seen die twice.

Instead of aVictorian governess called Beryl, the Doctor would now be accompanied bya contemporary girl named Clara who worked as a nanny but yearned totravel.

This adventure would also beresponsible for ratcheting the new story arc surrounding Clara up agear; this had already been teased via the introduction of two ill-fatedcharacters (Oswin in the Season Thirty-Three premiere,Asylum Of The Daleks, and Clara theVictorian governess inThe Snowmen) whoappeared to be identical to the modern-day Clara.Executive producer Steven Moffat began working on ideas for Clara’sintroductory adventure around April 2012.

  • In pastDoctor Who scripts, he had enjoyed considerable success by turning familiar thingsinto objects of menace or mystery – such as statues in 2007’sBlinkor cracks on a bedroom wall in 2010’sThe Eleventh Hour.
  • This led to thenotion of a rogue wi-fi network – an idea which Moffat could marry toproducer Marcus Wilson’s suggestion of an urban thriller along the linesof the recent James Bond movies starring Daniel Craig, or the filmversions of Robert Ludlum’sBournespy novels.
  • Originally, there was no reference to Miss Kizlet’sclient, but in later drafts the Doctor learned over the course of thestory that this was the Great Intelligence; only latterly was this madeknown to the audience but not the Doctor.
  • The book by Amelia Williams wasinitially calledOne Deadly Summerbefore becomingSummerFalls(a version of which, ghost-written by James Goss, would bepublished online and later as part of a print anthology).
  • The director was Colm McCarthy, whoseprior credits includedThe Tudors,SpooksandRipperStreet.
  • Angie was played by Eve De Leon Allen, who had beena regular onNuzzle And Scratch.

Because the middle part of the Spring 2013 run hadgone before the cameras first, Jenna-Louise Coleman had by now alreadyplayed the twenty-first-century Clara in four full adventures (plus hercameo at the end ofThe Snowmen).The first scene filmed forThe Bells Of Saint Johnwas Nabile’svideo, taped at BBC Roath Lock on September 24th as work on Block Seven(Journey To The Centre Of The TARDIS)was wrapping up.

At this stage, Nabile was played by Fady Elsayed.

On the 11th, the main focus was the airplane(provided by eCubed Solutions at MOD St Athan), while two sitesrepresented 1207: the monastery exterior was Southerndown Beach inDunraven Park, while the burial chamber containing the TARDIS was a seterected at Roath Lock.

Cast and crew then headed for London, where the nexttwo days would principally be spent at a variety of locations capturingshots of the Doctor and Clara on the motorcycle; some on the 15th wasalso spent recording material in the rooftop cafe at Grange St Paul’sHotel.

The 18th was a studio day, for material in the CloudIncorporated offices and footage of the newsreader.

OnNovember 9th, further taping was undertaken on the TARDIS set alongsidethe effects shots of the Doctor driving up the side of the Shard.

On November 26th, a prequel forThe Bells Of SaintJohnwas recorded at Roath Park in Cardiff under director John Hayes.This depicted the Doctor talking about his search for Clara with a littlegirl.

She was played bySophie Downham (who would also appear inTheName Of The Doctor).

Tothis end, it was decided to send McCarthy abroad to record additionalfootage for the pre-credits sequence.

Revisedmaterial for Nabile’s video to accommodate these elements was thenfilmed at BBC Television Centre on February 18th, 2013.

Onemajor edit came towards the end of the episode, in which the Doctorwould have been seen contemplating images of Oswin and the Victorian-eraClara when the TARDIS phone rang again; a whispered female voice on theline then implored the Doctor to trust Clara and take her with him.

Thishad replaced an earlier version which took place after Clara wasattacked by the Spoonhead, with the voice telling the Doctor,“Run you clever boy. And save her.”

  • Doctor Who News
  • Doctor Who Magazine Special Edition 37, Autumn 2014, “The Bells Of Saint John” by Andrew Pixley, Panini UKLtd
  • Doctor Who Magazine Special Edition 37, Autumn 2014, “The Bell
Original Transmission

Date 30th Mar 2013
Time 6.14pm
Duration 45’14”
Viewers(more) 8.4m (8th)
· BBC1/HD 8.4m
· iPlayer 2.6m
Appreciation 87%

The Doctor
Matt Smith
Jenna-Louise Coleman
Manpreet Bachu
Sean Knopp
The Abbott
James Greene
Eve De Leon Allen
Kassius Carey Johnson
Geff Francis
Miss Kizlet
Celia Imrie
Robert Whitelock
Dan Li
Little Girl
Danielle Eames
Anthony Edridge
Fred Pearson
Jade Anouka
Olivia Hill
Man with Chips
Matthew Earley
Child reading Comic
Isabella Blake-Thomas
The Great Intelligence
Richard E Grant

Written by
Steven Moffat
Directed by
Colm McCarthy
Produced by
Denise Paul
Series Producer
Marcus Wilson
Stunt Coordinators
Crispin Layfield
Jo McLaren
Stunt Performers
Andy Godbold
Dani Biernat
First Assistant Director
Nick Brown
Second Assistant Director
Heddi-Joy Taylor-Welch
Third Assistant Director
Danielle Richards
Assistant Directors
Gareth Jones
Louisa Cavell
Location Managers
Nicky James
Thomas Elgood
Unit Manager
Monty Till
Location Assistant
Iestyn Hampson-Jones
Production Manager
Phillipa Cole
Production Coordinator
Claire Hildred
Assistant Coordinator
Gabriella Ricci
Production Secretary
Sandra Cosfeld
Production Assistants
Rachel Vipond
Samantha Price
Assistant Accountant
Rhys Evans
Assistant Script Editor
John Phillips
Script Supervisor
Steve Walker
Camera Operator
Joe Russell
Focus Pullers
James Scott
Chris Walmsley
Gary Norman
Camera Assistants
Meg de Koning
Sam Smithard
Cai Thompson
Assistant Grip
Owen Charnley
Sound Maintenance Engineers
Ross Adams
Chris Goding
Mark Hutchings
Best Boy
Stephen Slocombe
Bob Milton
Nick Powell
Gafin Riley
Gareth Sheldon
Supervising Art Director
Paul Spriggs
Set Decorator
Adrian Anscombe
Production Buyers
Adrian Greenwood
Charlie Lynam
Holly Thurman
Art Director
Amy Pickwoad
Assistant Art Director
Richard Hardy
Art Department Coordinator
Donna Shakesheff
Prop Master
Paul Smith
Prop Chargehand
Ian Griffin
Set Dresser
Jayne Davies
Austin J Curtis
Jamie Farrell
Jamie Southcott
Standby Props
Helen Atherton
Rob Brandon
Dressing Props
Mike Elkins
Paul Barnett
Graphic Designer
Chris Lees
Graphic Artist
Christina Tom
Storyboard Artist
Andrew Wildman
Petty Cash Buyer
Florence Tasker
Standby Carpenter
Will Pope
Standby Rigger
Bryan Griffiths
Practical Electrician
Christian Davies
Props Makers
Penny Howarth
Alan Hardy
Props Driver
Gareth Fox
Construction Manager
Terry Horle
Construction Chargehand
Dean Tucker
Scenic Artist
John Pinkerton
Assistant Costume Designer
Fraser Purfit
Costume Supervisor
Carly Griffith
Costume Assistants
Katarina Cappellazzi
Gemma Evans
Make-Up Artists
Vivienne Simpson
Sara Angharad
Allison Sing
Casting Associate
Alice Purser
Assistant Editor
Becky Trotman
VFX Editor
Joel Skinner
Dubbing Mixer
Tim Ricketts
ADR Editor
Matthew Cox
Dialogue Editor
Darran Clement
Sound Effects Editor
Paul Jefferies
Foley Editor
Jamie Talbutt
Peter Anderson Studio
Additional Visual Effects
BBC Wales Visual Effects
Online Editor
Jon Everett
Mick Vincent
With Thanks to
The BBC National Orchestra of Wales
Conducted and Orchestrated by
Ben Foster
Mixed by
Jake Jackson
Recorded by
Gerry O’Riordan
Original Theme Music
Ron Grainer
Casting Director
Andy PryorCDG
Production Executive
Julie Scott
Post Production Supervisor
Nerys Davies
Production Accountant
Jeff Dunn
Sound Recordist
Deian Llŷr Humphreys
Costume Designer
Howard Burden
Make-Up Designer
Barbara Southcott
Murray Gold
Visual Effects
The Mill
Special Effects
Real SFX
Millennium FX
Mark Davis
Production Designer
Michael Pickwoad
Director Of Photography
Simon Dennis
Line Producer
Des Hughes
Executive Producers
Steven Moffat
Caroline Skinner

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